Makes the LP album of DEEDAR Shamshad’s own and a collectors’ item is her rare Is better!Apart from the song ‘Bachpan ke din’ mentioned in the beginning, what Listen to these two songs and decide which One is also compelled to compare this song with Shamshad’s solo number,’Chaman ke rah ke virana’in the same tune inįilm DEEDAR with music by Naushad. Reveal the genius in Naushad.The chorus, ‘Dhadke mera dil’also puts shamshad at Voice of Shamshad and made to gel beautifully to create outstanding duets to Silky soft, trembling voice of Talat is pitted against the precise power packed The other is ‘Duniya badal gayi’ and the third is The melodious ‘Milti hi ankhen milgaya deewana kisi Song.( http ://) But what gives this album the exclusive Shamshad Begum stamp is the three Her voice which will be realized better by seeing the video clipping of the Song and the poignancy of the situation were well expressed by Shamshad through Popular on the radio and functions in the 50s.The obvious theme and mood of the The pathos filled and still haunting chorus ‘Chhod babul ka ghar’ The two beautiful solo songs are ‘Na socha tha yeh’ and ‘Jadoo bhari Out of the twelve songs seven are by Shamshad Begum a few of them not Recollect the film songs of Shamshad Begum there are four or five filmĪlbums, mainly of Naushad and O.Nayyar, whichĬould well be termed Shamshad Begum’s albums! The first LP album coming to mind is that of Sunny Arts Productions’ 1950 film BABUL starring Dilip Kumar and Nargis with music by Song in spite of the beautifully tuned and rendered songs of Mahendra Kapur and Of ‘Kajra muhabatwala’ that the film KISMAT is still remembered mainly for this In fact it was O.P.Nayyar and Naushad who could draw Shamshad Begum away from the traditional nasal style They were normally identified with Shamshad Begum for the dominance of her have been invariably mentioned precisely for this reason.Įventhough these were essentially duets,( the third one is with Asha and Rafi) Songs, ‘Kajra Mohabatwala’from film KISMAT and the immortal ‘Leke pahla pahla (Music:Naushad), viz.’Teri mehfil meri kismat’ as well as the two O.P.Nayyar Obituary references on Shamshad Begum her song with Lata,in film Mughal-e-Azam Of rendering best evidenced by her songs for music directors Naushad and O.P.Nayyar. But theĭistinguishing feature of her songs was the power of her voice and the clarity Mould as Noor Jahan, Raj Kumari, Suraiya, Zohra Ambala and so on. Female singers of the late 40s and early 50s, Shamshad Begum also was in the same singing
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